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Category Archives: Sculpture

Philemon and Baucis

© www.espritdescalier.de - Stefan Fix, 2007 T his upright grave relief plate is located in the cemetery of Hamburg Ohlsdorf. It was made in 1938 from limestone. This is a representation of the Roman poet Ovid, by the traditional legend, "Philemon and Baucis."

It is reported that Jupiter 1 and his son Hermes, 2 once in human form on earth came down and visited on the opposite side of the Aegean Sea located Phrygia 3 : "Jupiter came here as a mortal, and with the father / His rod bearing son Mercury without feathers. " 4

There they wanted to put the people's hospitality to the test, since Jupiter was also protector of hospitality and, therefore, Jupiter hospitalis (or Zeus Xenios) said. As a poor and weary travelers dressed up they knocked on the doors of every house and every little big house, but found nowhere Entry: "A thousand Housings come near them, asking for shelter and rest; / thousands of homes sperret the Castle" 5

Finally they came to a hut, which surpassed all previous misery and insisted on their roof of leaves only. To her knock down the door was wide open, however, and a cheerful voice invited the two men walking, "A house receives them, / Though very small, covered with reeds and pipes of the swamp," 6

Although she had to stoop to pass through the low door to, but once arrived inside, they found a comfortable and clean room. A friendly-looking measure was the old couple and two walkers welcome in any activity that began to make it to their guests as comfortable as possible. It turned the old man a bank of the fireplace and asked his guests to make themselves comfortable on it and stretch their tired limbs. Previously, the old woman had spread even a soft blanket on the bench. She introduced herself to strangers as Baucis and Philemon as her husband: "But the honest Baucis and Philemon equal in age, / Both verlebeten where the bloom of youth, and both / antiquities there gradually. Poverty openly confessing / powers they easily bearable with no unwilling mind. / No matter whether you are there, the Lord sought out, or the servant / Zween are all the house, and dieselbigen command and do. / And when the heavenly pair approached the poor dwelling, / And the bent head, the low gate went, / Is it the friendly old man rest upon gestelletem chair, / with the coarse mesh, the diligent Baucis covered. / Then, approached the herd, they churned the lauliche ash / Wakes up yesterday's fire, with leaves and dry bark / Nourishing, and blows out the smoke with gasping breath the flames. / Small Split wood and rice from the bottom gedörretes / she bears down, and zerknickt's, and places it under the Kesselchen. " 7

While she hung a kettle of water on the fire, she said that she lived with her husband since their wedding in this house and they were always happy. They were poor, but happy nonetheless. Just when the water began to boil, the old man came in with a head of cabbage from the garden. Together with a piece of pork, cooked cabbage was now: "Even the man that collected in veg 'in the watered garden / she Scrolls. But those with zweigehörnter gaff / Removes the beräucherten back of a pig from the sooty bar, / Where he saved him long, and cut a piece from the shoulder, / only a few things only, and the average zähmet in the roaring boil. / Both shorten the interim, however, that hour in conversation, / That the delay does not feel the strangers. Near the herd / Marching buchene When the 'at stake with curved handle. / This is filled with water laulichem, empfänget limbs / Bähend. It stands in the middle of the pond piston feathery reeds / soft stuffed a warehouse, the frame and the feet of grazing. / This envelop them now with carpets, which they usually / Only the spread festive day ', but even this / bad and outdated goods, not the unworthy weidenen lichen. / Then rest the gods. " 8

Meanwhile Baucis covered with her ​​trembling old hands to the table: "pursed then Stellet and trembling / Baucis the table, but one of the three table legs were not equal; / Soon the same makes the shard: since under added it to the cusp / healed, jetzo rubbing the flattened verdant mint. " 9 She brought olives, pickled Cornelian, radishes and cheese and some eggs on the table. Even dessert was kept: "The crew are expected then the speckled berry of Pallas. / Also of autumn grain Elle gekläreter preserved in brine; / radish, endive, too, and milk into cheese rounded; / eggs at once, turned cautious in hot ashes: / Everything on irdnem dishes. The molded clay jug / now appears radiantly colorful carved on the table, and buchene cup with ornaments / full, and varnished the cavity with yellow wax. / A few time, because the stove sends the steaming dishes. / Back to relieve the jetzo not very old wines, / That they removed a small, narrow space is not the dessert. / Here is nut, here fig, mixed with wrinkled dates / prunes in small basket ', the larger fragrant apples, / And large-berry grapes collected from purple grapes; / Mid the whitish disk of Honiges, but above all / Invite the cheerful glance , and a heart, not lazy nor kargend. " 10

Philemon made two rickety benches at the table. Cabbage and meat, however, were cooked and were also served. After everything was ready, asked Philemon and Baucis to her guests to leave it to taste. Philemon also brought them more cups of beechwood and an earthenware jug of wine, which had more similarity with vinegar diluted with water and also was. But Philemon was obviously proud and happy to be able to set before his guests anything like that. He saw to it immediately when a cup was empty, refilling. In his bustling hospitality of the old couple was initially not that the wine jug never emptied. No matter how much refilled Philemon, the jar was full. When they were aware of but which then, they changed looks terrible fulfilled, then lowered her eyes and prayed, but quietly. They had recognized that it was not for her guests were normal people: Both see now that, as often as they erschöpfeten always the jug / recovery of itself fills, and the wine grows up voluntarily. / Amazed with fear and dismay, and lifting his hands backwards, / they cry, Baucis at the same time, prayer, and fearful of Philemon. " 11 more>

  1. Greek Zeus [ ]
  2. Greek Mercury [ ]
  3. today's Anatolia [ ]
  4. Ovid: Metamorphoses. Translated by Johann Heinrich Voss. [ ]
  5. ibid [ ]
  6. ibid [ ]
  7. ibid [ ]
  8. ibid [ ]
  9. ibid [ ]
  10. ibid [ ]
  11. ibid [ ]

Tired of driving

© www.espritdescalier.de - Stefan Fix, 2007 T his upright grave stone in the cemetery is located in Hamburg Ohlsdorf. The fact of the represented subject weary traveler or pilgrim leaves of Goethe's "Wanderer's Night Song" thinking:

You who are of heaven / All pain and sorrow stillest, / The one that is doubly wretched / Double fillest with refreshment / Oh! I am weary! / What is all this pain and pleasure? / Sweet peace! / Come, oh come into my breast! 1

Also, another night a traveler by Goethe song comes to mind - namely, "An equal," meaning an equal or more night song is meant:

Over all the peaks / peace is, / In all the treetops / You Hearest / Hardly a breath; silent / The birds in the forest. Only / Waiting! Balde / will rest you, too. 2

  1. Johann Wolfgang Goethe, Wanderer's Night Song. In: German poems. Edited by Hans-Joachim Simm. Frankfurt and Leipzig, 2001, p 342nd [ ]
  2. Johann Wolfgang Goethe, An equal. Ibid. [ ]

Cover your heaven, Zeus ...

© www.espritdescalier.de - Stefan Fix, 2007 T his impressive monument to the presentation of the Prometheus Bound is located at the Paris cemetery Père Lachaise in the 96th Division. It is dedicated to Paul Boucherot (* 1869, † 1943), a railway engineer and inventor who was in the rank of Commandeur de la Legion d'Honneur raised to know how grave the inscription leaves. Unlike the myth, where the eagle Ethon Prometheus afflicting daily order of which is constantly renewing eat liver, it seems here rather to be a vulture, but sure what the pain does not diminish.

Why Boucherot a tombstone was placed in this presentation is unclear. Perhaps it refers to its scientific or even anti-religious belief that when an engineer is not unreasonable. The grave, however, seems to hybrisch something, because not Boucherot of mankind has given something as basic as Prometheus who brought fire to her. Boucherot are some inventions in the field of electrical engineering due to the raise but not all of them the impression of having been exceptionally groundbreaking or radically. You may hide in the choice of the Prometheus-representation and self-doubt and criticism of the scientist to his findings. Now Boucherot but by no means the theory of everything or the theory of everything found, such as Möbius in Dürrenmatt's The Physicists, which is why ethical doubts about the usefulness of his inventions seem far-fetched. Prometheus bears but because of his devotion to the man and his opposition to the gods of the responsibility for ensuring that Zeus create Pandora out of clay and put on the earth brought by Hermes to punish mankind for stealing the fire of Prometheus. Prometheus' brother Epimetheus accepted Pandora - all in spite of warnings - for his wife. Soon, however, Pandora opened the box and released all the evils in the world, therefore, only elpis (Hope) remained on the bottom of the box. Thus the world is a desolate place until Pandora opened the box again, and so dismissed the hope in the world.
It is entirely conceivable that Prometheus, who was actually good for the people, had feelings of guilt because he had brought the evil upon them. But here is a parallel between Prometheus and Boucherot not recognizable. Finally, one should not exclude the possibility that Boucherot was a friend of the simple and the mythology Prometheus saga was perhaps the legend that he liked the most.

Despite all the speculation made above about the intended meaning of the sculpture, it can be stated that this is one of the most impressive figurative representations, which are located at Pere Lachaise. It is almost surprising that no Boucherots tomb in the city of Paris, published and made available for free brochure occurs with cemetery plan. This after all, about 150 of the "most popular tombs" are (Sépultures parmi les plus demandées) listed. But this collection was the focus rather on the reputation of each dead person than on the artistic merit or originality of the tombs. Thus, some graves of famous people are all very valuable but spectacular or artistic. Some less known is, however, as the above example shows, with an absolutely remarkable grave stone.

In the wings of life ...

© www.espritdescalier.de - Stefan Fix, 2007 Elder Similar to the 1913 Hamburg Academy of Fine Arts established, is also the 1927/28 girls' school built quay (now Vocational School Embankment) was added by an artist a kind of motto. Only this was not here in the form of glass art, but by creating a sculpture. Unlike the Hansa College, from which a second place is still the talk, it's not about the mere embodiment of what is in front of building. At Hansa-Kolleg this sculpture symbolizes a reader quite directly, and not above average original. In the former girls' school Embankment is the meaning of the institution was implemented in some abstract art. The viewer is therefore a little more interpretation skills demanded. Much seems to favor the interpretation that is not about the lady bends down to tie the shoes do not exist, but to move into a starting position from which she will best succeed to start. In athletics, the view has prevailed that the crouch start with the help of grants from the starting blocks sprint events and the short-range repulsion of the best. In the girls' school was obtained accordingly to the best start in women's lives. This is a slightly more focused presentation than the Hansa-Kolleg, where it seems less about the After more than to the now. From today's perspective, one could assume that is offered in the vocational school of the best career start. The starting shape suggests to the viewer that here is a short distance or sprint training is offered here, but what can be precipitated from a lack of knowledge of the current training period no judgment.
© www.espritdescalier.de - Stefan Fix, 2007 © www.espritdescalier.de - Stefan Fix, 2007 Was created from the existing limestone 1 "Starterin" the rest of the sculptor Friedrich Wield (* March 15, 1880 in Hamburg - Hamburg, † June 10, 1940), the first chairman of the Hamburg Secession, founded in 1919.

These consisted of 52 members, among whom were also painters, architects and sculptors next. Unlike, for example, founded in 1905 in Dresden, the "bridge" or, founded in 1911 in Munich "Blue Rider", the Hamburg Secession had no fixed agenda. Due to the late establishment of the Hamburg Secession in comparison to similar organizations in Germany (Munich Secession in 1892, the Vienna Secession, 1897, Berlin Secession in 1898), she was no longer marked by the war enthusiasm of many Expressionists. Its members were already cured of her if she had ever been infected by it. However, many plants are well into the twenties, influenced by expressionism. From the mid-twenties, most members had post-Expressionist art, but the style of New Objectivity discovered for themselves. The architects also included in the Hamburg Secession were engaged, manufactures, programmatic approach of her, near the same time, founded in Weimar, "Bauhaus", however, was less systematic than this.

The artistic and political non-conformism of the Secession artists, who spoke at the beginning of the thirties, sometimes in non holener criticism of Representatives of the National Socialists, led to the spring exhibition at the Hamburg Secession in 1933 the first exhibition in Germany was prepared at the instigation of the Nazis was closed by the police (March 30). The justification given by the police authority that:

[...] The exhibits in its overwhelming majority to support cultural Bolshevism are appropriate. 2

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  1. Sieker, Hugo (ed.): Wield sculptors 1880-1940. Hamburg, 1975, p.89. In the illustration on Plate 12, the figure is gray. It thus seems uncertain whether it is in today's figure is still the original. Today's figure is white. It may have been whitewashed. Perhaps it is also a replica. [ ]
  2. Quoted in Weimar, Friederike: the Hamburg Secession 1919-1933. Fischerhude, 2003, page 58 [ ]

Until intoxicating waves of blissful beauty of fall Weltentag

© www.espritdescalier.de - Stefan Fix, 2007

We proclaim to you:
The meaning of the earth's beauty to the body as Graubünden
Dream of being blessed and Traumeslustgebärde to establish in light of the corridor
Love glamor and wealth creation morning flower shapes sounds proportion songs
The need Demant plumage
From the world s crystalline ground silence
parable to ignite shine and mirror earthly visions Allgestalt
and the grief of the eternal nothingness of the bars
is the beauty of sacred violence

We send you:
The meaning of the earth shall burn within you is a new clarity
Sublime beauty imperious gesture ye shall proclaim strictly the dull world
After all was promised:
The eternity ring first ceremony is completed
If the farthest thing and all the worlds of beauty message was sent
Are his messenger!
Led dream of flying around the face like wings beat
Are his prophet!
Until intoxicating waves of blissful beauty of fall Weltentag

© www.espritdescalier.de - Stefan Fix, 2007 Men sculpture on the building HFBK So it is not free from hesitation, written in the windows of the vestibule of the College of Fine Arts of Hamburg (HFBK). The text flanked left and right of the display of a woman who is in turn surrounded by the depiction of two men. The windows were created by the Austrian painter and graphic artist as well as employees of the Wiener Werkstätte Czeschka 1913th
In the same year the college moved into the building, designed by Fritz Schumacher. After the school had been bombed during the war, it was rebuilt in 1955, exemplary.
Have evidently survived the nouveau-like representations of a woman and a man from 1912 who were in the courtyard to the street located opposite one another integrated into the facade, so that they seem to look at each other. In addition, there is a statue of a woman in the front yard that is surrounded by three children - two girls and a boy. While the girls seem to seek shelter with their mother, it's almost as if the boy is protectively in front of his mother.
Sculpture of a woman with children on the grounds of the HFBK Sculpture child on horseback on a corner post on the railing of the HFBK Furthermore, is on a corner post of a side wall, a sculpture that represents the same from all four perspectives, namely, a boy on a horse under a canopy of roses. But that's not enough, the channel located towards the Eilbek facade is equipped with three other sculptures. This is a fabulous, kneeling on all fours with curly horse's mane and flaring nostrils, and a well on all fours, kneeling ram, which is also represented fabulously covered. Finally, the relief of a naked woman surrounded by fruit is on the facade.
Plaque to Professor Friedrich Adler Unfortunately, one encounters here again on a plaque that will be remembered for one of the Nazi crimes. The Nazis have not been spared in their inhuman and totally mindless racial hatred, these same high school. The panel noted on the quote that abducted from there to Auschwitz and murdered Professor Friedrich Adler is, would, moreover, as well as above-quoted poem also eminently suitable as a motto of the university:

our lives would be miserable if we were not indigenous to the imagination, the imagination.

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For whom the bell tolls ...

© www.espritdescalier.de - Stefan Fix, 2007

Sculpture on the facade of the wholesale meat market in the Hamburg Star Road 106, near Sternschanze (photo montage)

Only one thing I thought not ...

© www.espritdescalier.de - Stefan Fix, 2007

I thought back, I thought her to bring luck to advertise for you,
only one thing I thought not that you die I could.

Thus, the inscription on the grave stone of Karabet Tchilinghiryan (1869-1927) and Erna Tchilinghiryan, born Petersen (1887-1959).
The cemetery located on the Hamburg Ohlsdorf marble sculpture created in 1927 by Richard Kuà ¶ hl, on whose account also the "memorial to the veterans of the 76th Hamburg Infantry Regiment "at Hamburg's St. Stephen's Square.
The burial in the family also buried Carl Tchilinghiryan - probably a son of Karabet Tchilinghiryan - was apparently named after the company Tchibo. The term "Tchibo" is an acronym that is linghiryan from the first syllables of each of the (Armenian) and surname of the noun Tchi Bo teeth composed.

Literature:

  • Leisner, Barbara; Heiko Schulze KL and Ellen Thormann. Hamburg's main cemetery Ohlsdorf. History and monuments. Volumes 1 and 2 Hamburg, 1990.

Hamburger Strasse Memorial

© www.espritdescalier.de - Stefan Fix, 2007 D place where once stood a much hermachendes Karstadt department store, is now the ugliest monumental shopping complex, the mind could conceive of a human brain - an inhospitable, seemingly endless concrete jungle. The memorial stands between the police station and erwähntem CPB. Those coming from the subway station Mundsburg to make purchases in the shopping center, passes the memorial. If the pedestrian lights red just shows some of bored gaze wanders around and sometimes remain hanging on the memorial. Who takes the time to look more closely, the anxiety that it conveys is, can hardly escape. The sculpture was created in 1985 by the Hamburg-Huza sculptor Hildegard Schneider on behalf of the City of Hamburg.

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With Charon into the realm of shadows

© www.espritdescalier.de - Stefan Fix, 2007
"Memorial for the victims of the bombing" (Hamburg Cemetery Ohlsdorf)

"[...] Are under four broad, cross-shaped mass graves here 36 918 victims of the Hamburg firestorm of bombing raids in July and August 1943. The wooden cross beams carry the names of the districts from which the dead were transported to this place of rest.

The square central block and the relief in the interior were designed by Gerhard Marcks in 1947 and 1952 opened. He served in a monumental scene and oppressive acts of the Greek myths. Shown is the dead boatman Charon, a charming couple, a husband, a mother with a child and an old man is on the Acheron, the river that separates the upper world from the realm of shadows. He has solidified and symbolizes the indifference of organized mass death. The other characters seem listless and wear, such as the sculptor explains, over the unaffected humanity '. With the resources of art is an attempt to maintain dignity in the face of the terrible ordeal for the city of Hamburg. " 1

By the way, Marcks is also a bronze sculpture of the Bremen Town Musicians, as it stands since 1953 to the left of the Bremen Town Hall. Comes from the Bremen Town Musicians turn the statement: "something better than death you'll find anywhere." Zuckmayer has picked up this phrase in his Captain of Koepenick to clarify that may be drawn from even the most hopeless situation to force a new start. If the bombed not apply to the Hamburg ...

  1. The text is taken from the memorial located at the information board. [ ]

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