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Philemon and Baucis

© www.espritdescalier.de - Stefan Fix, 2007 T his upright grave relief plate is located on the cemetery Hamburg Ohlsdorf. It was produced in 1938 from limestone. This is a representation of the Roman poet Ovid through the traditional legend "Philemon and Baucis."

It reports that Jupiter 1 and his son Hermes 2 once in human form to earth came down and visited on the opposite side of the Aegean Sea located Phrygia 3 : "Jupiter came here as a mortal, and with the father / His rod bearing son Mercury without feathers. " 4

There they would put the people's hospitality to the test, since Jupiter was also protectors of hospitality and, therefore, Jupiter hospitalis (or Xenios Zeus) was called. As a poor and weary travelers dressed up, they knocked on the doors of every house and every little big house, but found nowhere Entry: "A thousand Housings they draw near, asking for shelter and rest; / thousand flats sperret the Castle" 5

Finally they came to a hut, which surpassed all previous misery and insisted on their roof of leaves only. To her knock down the door was wide open, however, and a cheerful voice invited the two men walking, "A house receives them, / Though very small, covered with reeds and pipes of the swamp" 6

Although she had to stoop to pass through the low door to, but once arrived inside, they found a comfortable and clean room. A friendly-sighted old couple said the two Walkers welcome and began to bustle around, make it to their guests as comfortable as possible. It turned the old one bank to the fireplace and asked his guests to make themselves comfortable on it and stretch their tired limbs. Previously, the old woman had spread even a soft blanket on the bench. She stood before the stranger as Baucis and Philemon as her husband: "But the honest Baucis and Philemon equal in age, / Both verlebeten where the bloom of youth, and both / antiquities there gradually. Poverty openly confessing / attorney and they can easily tolerable with no unwilling mind. / All the same, whether you seek the Lord there, or the servant / Zween are all the house, and commanded to do and sameness. / And when the heavenly pair is drawn near the poor house, / And the bent head, the low gate went, / Is it the kindly old man to take a rest gestelletem chair, / with the coarse mesh, the diligent Baucis covered. / Then, approached the herd, they churned the lauliche ash / Wakes up the fire yesterday, with leaves and dry bark / Nourishing, and blows out the smoke with panting breath of the flames. / Small gedörretes riven wood and rice from the ground / she bears down, and bruised it, and puts it under the Kesselchen. " 7

While she hung a kettle of water on the fire, she said that she lived with her husband since their wedding in this house and they were always happy. Although they were poor, but happy nonetheless. Just when the water began to boil, the old man came in with a cabbage from the garden. Together with a piece of pork cooked cabbage was now: "Even the man on what is collected veg 'in the watered garden / she is peeling. But those with horned gaff / Raise the back of the pig would fumigate the sooty bar, / Where he saved him long, and cut a piece from the shoulder, / only a few things only, and the average zähmet in the roaring boil. / Both shorten the interim, however, that hour in conversation, / That the delay does not feel the strangers. Near the herd / Marching When the book 'at the stake with a curved handle. / These, filled with water laulichem, empfänget the limbs / Bähend. It stands in the middle of the pond piston feathery reeds / soft stuffed a warehouse, the frame and the feet of grazing. / This envelop them now with carpets, which they usually / spread only on festive days', but even this / bad and outdated goods, not unworthy of lichen grazing. / Then stand idle gods. " 8

Meanwhile Baucis covered with her ​​trembling old hands to the table: "pursed then Stellet and trembling / Baucis the table, but one of the three table legs were not equal; / Soon equal makes the shard: since under joined them the hump / Heal, jetzo rubbing the flattened verdant mint. " 9 It brought olives, pickled Cornelian cherries, radishes and cheese and some eggs on the table. Even dessert was kept: "The crew are expected then the speckled berry of Pallas. / Also of autumn grain Elle gekläreter preserved in brine; / radish, endive, too, and milk into cheese rounded / egg at the same time, turning gently in warm ash: / All of earthen ware. The molded clay krater / carved colorful now emblazoned on the board, and book cup with ornaments / full, and varnished the cavity with yellow wax. / A few deadline because of the hearth sends the steaming dishes. / Back to relieve the jetzo not very old wines, / That they removed a small, narrow space not the dessert. / This is nuts, this fig, mixed with wrinkled dates, / plums in the smaller cage ', the larger fragrant apples, / And large-berry grapes collected from purple grapes; / middle of the whitish slice of honey, but mainly / Invite the cheerful glance , and a heart, not lazy nor kargend. " 10

Philemon made two rickety benches at the table. Cabbage and meat, however, were cooked and were also served. After everything was ready, asked Philemon and Baucis to her guests to leave it tasted. Moreover Philemon brought them cups of beechwood and a jug of wine, the more likely resembled vinegar diluted with water and also was. But Philemon was obviously proud and happy to be able to set before his guests something like that. He saw to it immediately when a cup was empty, nachzuschenken. In his bustling hospitality of the old couple was initially not that the wine jug never emptied. No matter how much refilled Philemon, the jar was filled to the brim. When they were aware of but which then, they changed fearful glances met, but then lowered her eyes and prayed silently. They had recognized that it is not their guests were normal people: Both see now that, as they often erschöpfeten always the mixing jug / recovery of itself fills, and the wine grows voluntarily. / Amazed with fear and dismay, and raising his hands backwards, / they cry, while Baucis, in prayer, and fearful of Philemon. " 11 more>

  1. Greek Zeus [ ]
  2. Greek Mercury [ ]
  3. today's Anatolia [ ]
  4. Ovid: Metamorphoses. Translated by Johann Heinrich Voss. [ ]
  5. ibid [ ]
  6. ibid [ ]
  7. ibid [ ]
  8. ibid [ ]
  9. ibid [ ]
  10. ibid [ ]
  11. ibid [ ]

Wearisome

© www.espritdescalier.de - Stefan Fix, 2007 T his grave upright plate is located on the Ohlsdorf cemetery in Hamburg. The represented subject to the weary traveler or pilgrim leaves of Goethe's "Wanderer's Night Song" thinking:

You who are of the sky / All pain and sorrow stillest, / The one that is doubly miserable / Double fillest with refreshment, / Oh! I'm tired of driving! / What's all the pain and pleasure? / Sweet peace! / Come, oh come into my breast! 1

Also, another song of a night wanderer from Goethe comes to mind - namely, "The same," meaning one and the same night another song is meant:

Above all summits / Ruh is', / In all the treetops / You Hearest / Hardly a breath; silent / The birds in the forest. Just / waiting! Balde / reposest you too. 2

  1. Johann Wolfgang Goethe, Wanderer's Night Song. In: German poems. Edited by Hans-Joachim Simm. Frankfurt and Leipzig 2001, p. 342 [ ]
  2. Johann Wolfgang Goethe, An equal. Ibid. [ ]

Cover your heaven, Zeus ...

© www.espritdescalier.de - Stefan Fix, 2007 T his impressive tomb with the presentation of the Prometheus Bound is located at the Paris cemetery Père Lachaise in the 96th Division. It is dedicated to Paul Boucherot (* 1869, † 1943), a railway engineer and inventor who was in the rank of Commandeur de la Legion d'Honneur raised to know how grave the inscription leaves. Unlike the myth, where the eagle Ethon Prometheus afflicts every day to move from its ever-renewing again to eat liver, it seems here rather to be a vulture, but certainly what the pain does not diminish.

Why Boucherot a tombstone was placed with this presentation is unclear. Perhaps it refers to its scientific or even anti-religious belief that when an engineer is not unreasonable. The grave, however, seems to hybrisch something, because not Boucherot of mankind has given something as basic as Prometheus who brought fire to her. Boucherot are some inventions in the field of electrical engineering due to the raise but not all of them feel that they have been exceptionally groundbreaking or radically. You may hide in the choice of representation Prometheus also doubt and self-criticism of the scientist to his findings. Now Boucherot but also not the theory of everything or the theory of everything found, such as Möbius in Dürrenmatt's The Physicists, which is why ethical doubts about the usefulness of his inventions seem far-fetched. Prometheus bears but because of his devotion to the man and his opposition to the gods of the responsibility for ensuring that Zeus create Pandora out of clay and put on the earth brought by Hermes to punish mankind for stealing the fire of Prometheus. Prometheus' brother Epimetheus accepted Pandora - in spite of all warnings - on the woman. Soon, however, Pandora opened the box and thus dismissed all the evils in the world, only elpis (Hope) remained on the bottom of the box. Thus the world is a desolate place until Pandora opened the box again, and so dismissed the hope in the world.
It is entirely conceivable that Prometheus, who was actually good for the people, had feelings of guilt because he had brought the evil upon them. But here is a parallel between Prometheus and Boucherot not recognizable. Finally, one should not exclude the possibility that Boucherot was a friend of the simple and the mythology Prometheus legend perhaps the legend was that he liked the most.

Despite all the speculations made above about the intended message of the sculpture, it can be stated that this is one of the most impressive figurative representations, which are located at Pere Lachaise. It is almost surprising that Boucherot not in the tomb of the city of Paris, published and made available for free brochure with cemetery plan occurs. This amounted to about 150 of the "most popular tombs" are (Sépulture parmi les plus demandées) listed. But was this combination, the focus rather on the fame of their deceased as to the artistic merit or originality of the tombs. Thus, some graves of famous people are all very valuable but spectacular or artistic. Some less known is, however, as the above example demonstrates, equipped with an absolutely remarkable grave stone.

In the wings of life ...

© www.espritdescalier.de - Stefan Fix, 2007 Elder Similar to the 1913 Hamburg Academy of Fine Arts established, is also built in the 1927/28 school girls Embankment (Embankment today Vocational School) added by an artist a kind of motto. Only this was not here in the form of glass art, but through the creation of a sculpture. Unlike with Hansa-Kolleg, from which a second place is still the talk, it's not about the mere personification of what is in front of building. At Hansa-Kolleg this sculpture symbolizes a reader's pretty straightforward and not above average original. In the former girls' school Embankment is the meaning of the institution has been implemented in some abstract art. The viewer is therefore a little more interpretive skills demanded. Much seems to favor the interpretation that is not about the lady bends down to tie the shoes do not exist, but in order to move into a starting position from which she will best succeed to start. In athletics, the view has prevailed that the slow start with the help of grants from the starting blocks or the short-distance sprint events the best kick. In the girls' school was obtained accordingly to the best start in women's lives. This is a slightly more targeted presentation as the Hansa-Kolleg, where it seems less about the more then than at the now. From today's perspective, one could assume that is offered in vocational schools, the optimal start to their careers. The starting shape suggests to the viewer that here is a short-distance or sprint training is offered here but what can be precipitated from a lack of knowledge of the current training period no verdict.
© www.espritdescalier.de - Stefan Fix, 2007 © www.espritdescalier.de - Stefan Fix, 2007 This was created, consisting of limestone 1 "Starterin" the rest of the sculptor Friedrich Wield (* March 15, 1880 Hamburg - Hamburg, † June 10, 1940), the first chairman of the Hamburg Secession, founded in 1919.

These consisted of 52 members, among whom were also painters alongside architects and sculptors. Unlike, for example, founded in 1905 in Dresden "bridge" or, founded in 1911 in Munich "Blue Rider", the Hamburg Secession had no fixed agenda. Due to the late establishment of the Hamburg Secession in comparison with similar associations in Germany (Munich Secession in 1892, the Vienna Secession, 1897, Berlin Secession in 1898), she was no longer marked by the enthusiasm of some war expressionists. Its members were already cured of her if she had ever been attacked by it. Nonetheless, many plants are well into the twenties, influenced by expressionism. From the mid-twenties, most members had, however, the post-Expressionist art style of New Objectivity discovered for themselves. The architects also included in the Hamburg Secession took indented, manufactures, programmatic approach of her, near the same time in Weimar, founded "Bauhaus", however, was less systematic than this.

The artistic and political non-conformism of the Secession artists, who spoke at the beginning of the thirties, sometimes in non holener criticism of representatives of the National Socialists, meant that the spring exhibition at the Hamburg Secession in 1933 the first exhibition in Germany was prepared at the instigation of the Nazis was closed by the police (March 30). The justification cited by the police authority that:

[...] The exhibits in its overwhelming majority to support cultural Bolshevism are suitable. 2

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  1. Sieker, Hugo (ed.): Wield sculptors 1880-1940. Hamburg, 1975, p.89. In the illustration on Plate 12 the figure is gray. It therefore seems uncertain whether it is in today's figure is still the original. The current figure is white. It may have been whitewashed. Perhaps it is also a replica. [ ]
  2. Quoted from: Weimar, Friederike: The Hamburg Secession 1919-1933. Fischerhude, 2003, p. 58 [ ]

Until intoxicating waves of blissful beauty of the falls Weltentag

© www.espritdescalier.de - Stefan Fix, 2007

We proclaim to you:
The sense of beauty to the earth as the body of Grisons
Dream of being blessed and Traumeslustgebärde to establish in light of the corridor
Morning glory and wealth creation, love blossom sounds extent shapes songs
The need Demant plumage
From the ground krystallner world silence
parable to ignite shine and mirror earthly visions shaper
and the grief of the eternal nothingness of bars
is the beauty of sacred violence

We send you:
The meaning of the earth itself will ignite in you a new Clarity
Sublime beauty imperious gesture ye shall proclaim strictly the dull world
Than was promised:
The first ring is forever finished solemnly
if the farthest thing and all the worlds of beauty message was sent
Are his messenger!
Led dream of flying around the face like wings beat
Be it heralds!
Until intoxicating waves of blissful beauty of the falls Weltentag

© www.espritdescalier.de - Stefan Fix, 2007 Men sculpture on the building of HFBK So it is not free from further ado, written in the windows of the vestibule of the College of Fine Arts of Hamburg (HFBK). The text flanked the depiction of a woman who is in turn surrounded by the depiction of two men. The windows were created by the Austrian painter and graphic artist as well as employees of the Wiener Werkstätte Czeschka 1913th
In the same year the college moved into the building, designed by Fritz Schumacher. After the school had been bombed during the war, it was rebuilt in 1955, exemplary.
Have evidently survived the nouveau-like representations of a woman and a man from the year 1912, which were located in the courtyard to the street opposing integrated into the facade, so that they seem to look at each other. In addition, there is the sculpture of a woman in the front yard, which is surrounded by three children - two girls and one boy. While the girls seem to seek protection from the mother, it's almost as if the boy introduces himself protecting his mother.
Sculpture of a woman with children on the grounds of the HFBK Child on horse sculpture on a corner post on the railing of the HFBK Furthermore, is on a corner post of a side wall of a plastic, which is the same from all four perspectives, namely a boy on a horse under a canopy of roses. But that's not enough, the channel located towards the Eilbek facade is equipped with three other sculptures. These are a fabulous, kneeling on all fours with curly horse's mane and flaring nostrils, and also one on all fours, kneeling ram, which is also represented fabulously covered. Finally, the relief of a naked woman surrounded by fruit is on the facade.
Memorial tablet to Professor Friedrich Adler Unfortunately, one encounters here again on a plaque that will be remembered for one of the Nazi crimes. The Nazis have not been spared in their inhuman and totally mindless racial hatred just these high school. The panel noted on the citation that abducted from there to Auschwitz and murdered Professor Friedrich Adler is, would, moreover, as well as above-quoted poem also eminently suitable as a motto of the university:

our lives would be miserable if we were not indigenous to the imagination, the imagination.

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For Whom the Bell Tolls ...

© www.espritdescalier.de - Stefan Fix, 2007

Sculpture on the facade of the wholesale meat market in the Hamburg Star Road 106, near Sternschanze (photo montage)

Only one thing I thought not ...

© www.espritdescalier.de - Stefan Fix, 2007

I'm back, here I thought to bring luck to advertise for you,
only one thing I'd think not that you die I could.

Thus, the inscription on the grave stone of Karabet Tchilinghiryan (1869-1927) and Erna Tchilinghiryan, born Petersen (1887-1959).
The cemetery located on the Hamburg Ohlsdorf marble sculpture was created in 1927 by Richard Kuöhl, on whose account also the "memorial to the veterans of the 76th Hamburg Infantry Regiment "at Hamburg's St. Stephen's Square.
The burial in the family also buried Carl Tchilinghiryan - probably a son of Karabet Tchilinghiryan - was apparently named after the company Tchibo. When the term "Tchibo" is an acronym that is linghiryan from the first syllables of each of the (Armenian) and surname of the noun Tchi Bo hne composed.

Literature:

  • Leisner, Barbara; Heiko Schulze KL and Ellen Thormann. Hamburg's main cemetery Ohlsdorf. History and monuments. Volumes 1 and 2 Hamburg, 1990.

Hamburger Strasse Memorial

© www.espritdescalier.de - Stefan Fix, 2007 D place where once stood a much Hermach Karstadt department store, is now the ugliest Monumental shopping complex that can come up with a human brain - an inhospitable, seemingly endless concrete jungle. The memorial stands between the police station and mentioned CPB. Those coming from the subway station Mundsburg to make purchases in the shopping center, passes the memorial. If the pedestrian lights red just shows some wander around and look bored sometimes remain hanging on the memorial. Who takes the time to look more closely, the oppression which it conveys is, can hardly escape. The sculpture was created in 1985 by the Hamburg-Huza sculptor Hildegard Schneider on behalf of the City of Hamburg.

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With Charon into the realm of shadows

© www.espritdescalier.de - Stefan Fix, 2007
"Memorial for the victims of the bombing" (Hamburg Cemetery Ohlsdorf)

"[...] Under four broad, cross-shaped mass graves here are 36 918 victims of the Hamburg firestorm of bombing raids in July and August 1943. The wooden cross beams carry the names of the districts from which the dead were transported to this place of rest.

The square central block and the relief in the interior were designed by Gerhardt Marcks 1947 and 1952 was inaugurated. He served in a monumental and oppressive acts of the Greek myths the world scene. Shown is the dead boatman Charon, a charming couple, a husband, a mother with a child and an old man is on the Acheron, the river that separates the upper world from the realm of shadows. He has solidified and symbolizes the indifference of organized mass death. The other characters seem listless and wear, like the sculptor, explains the human unaffected over '. With the resources of art is an attempt to preserve the dignity in the face of the terrible ordeal for the city of Hamburg. " 1

Marcks is also the way of the bronze sculpture of the Bremen Town Musicians, as it stands since 1953 left the Bremen Town Hall. Comes from the Bremen Town Musicians turn the statement: "something better than death you'll find anywhere." Zuckmayer has taken this sentence in his Captain of Koepenick, to clarify that may be drawn from any power no matter how hopeless situation for a new beginning. If the bombed not apply to the Hamburg ...

  1. The text is taken from the memorial located at the information board. [ ]

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