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Ida honor

© www.espritdescalier.de - Stefan Fix, 2006

Burial place of honor in the cemetery Hamburg Ida Ohlsdorf

Death in Manila - Gustaf Gründgens

Grabstein Gründgens

G had ründgens the end of the season 1962/63 resigned as director of the Deutsches Schauspielhaus in Hamburg to take a trip around the world, in the "off chance [...] learn to live." 1 He appeared on this trip in September 1963. Differently than they had hoped, but it should prove to be trip to the death.

The world tour began in England and led him Duch, the Mediterranean and the Suez Canal to Ceylon, Singapore and finally to the Philippines. From there, he wanted to travel via Hong Kong and Japan to San Francisco and Mexico continue.

The journey ended abruptly in Manila. There Gründgens had in the "Manila Hotel - The Aristocrat of the Orient" quartered. On 7 October of 1963 he died in the bathroom of his hotel room at a gastric hemorrhage, probably as a result of many years of regular use of painkillers and sleeping pills in ever-higher dose. 2 It is often rumored, Gründgens had died from an overdose of sleeping pills, it was speculated why even about suicide . However, since there is a lack of evidence for it, it remains a speculation. Speaking against, that the journey Gründgens yes - as mentioned - reportedly undertook to "live to learn." Can speak for the accident theory, moreover, that at the longer stomach ulcers regularly taking strong painkillers and lead resulting stomach bleeding.

Gustaf Gründgens was eight days before the start of his world tour from a stay in Madeira returned to Hamburg to undergo a dental procedure. As he had feared that a hotel could not adequately protect his anonymity, he had asked to be allowed to stay for the duration of treatment in the clinic. Michael also practiced in this clinic Winzenried, a professor of neurology and psychiatry at the University of Hamburg, who reported that during his hospital stay Gründgens have repeatedly sought his presence. 3

Gründgens' state Winzenried describes as follows:

He was outgoing, cheerful, stuffed full with travel plans seemed so "unpsychiatrisch" that we gave him little attention. He was "under the address" furnished Mr.. Only afterwards did I realize, as he repeatedly asked for visit - apologetically, "I know that you have little time, but you buy me a half hour ... You can therefore listen well ... Should I start writing down my memoirs? The concept is finished in the brain ... but I'm superstitious - maybe so does my life force ... My life story has been a series of appearances, it is a relationship or had anything like it? ... Now I'm free ... freedom is power, or am I still lonely? "

The day before his departure: "I am wildly in the world, or should I not prefer to stay here? There was so little joy in my life, and now I am afraid of choking on this morsel ... No, you forgot my chimney oracle ... make me an bites [sic] courage ... Should I take a permanent resident? And where? I have not taken the apartment in Bellevue but, although it is terrible to live out of suitcases, but at least it is all packaged together ... The true traveler is the break alone, to break up ... "

And so it came unprepared death, although expected constantly. He overtook him at an unusual time in a strange place, at the farthest point from his home, where these masters of the German language was in a linguistic problem. Seeking the refreshing sleep, habit agents used in dose tested, he wanted to escape the monsoon and the solitude for hours. But the body does not obey the usual measure, the Achilles heel of this athletic body, its blood vessels, vomit in the stomach with the force of a hemorrhage. The death Perhaps knowing he was trying to control the disaster and rushed alone, without support to subscribed face. [...] 4

I think I've taken too many sleeping pills, I kinda [sic] funny let me sleep in G. 5 6

  1. Walach, Dagmar: But I do not have my face - Gustaf Gründgens - a German career. Berlin, 1999, p. 179f. [ ]
  2. Badenhausen, Rolf and Gründgens Gorski, Peter (ed.): Gustaf Gründgens - Speeches Letters Essays, S.438-443rd [ ]
  3. Ibid., P. 442 [ ]
  4. Ibid. [ ]
  5. Ibid. [ ]
  6. Parting words of Gründgens on an envelope. [ ]

Speaking of parallel worlds

Obituary of Slobodan Milosevic: Young World (. 18-19 March 2006)

As for the collection by Bertolt Brecht's Socialists should, at this point to the following assessment Marcel Reich-Ranicki is referenced:

"[...] Bertolt Brecht's supporters wanted a theater that would allow the communist society. Brecht was a communist society, however, so it enables his theater. Unequal skeptical, unlike wiser than many of his students and followers, he was well aware that the policy could destroy the theater, but never to improve the theater's policy is capable of. The occasionally invoked by him, a meeting of Weltänderern '- so he set in 1943, the future theater audience - was nothing more than a fiction. Of course he knew. However, he wanted to leave her under any circumstances. What his admirers often took at face value and should take was, for himself no more and no less than an aid for his literary production, as a general working hypothesis.
Not so, Brecht sought a lifetime to the theater, because he was concerned with the class struggle. But he always dealt with the class struggle, because he as an impulse and theme of his work required.
Not the world changer Brecht needed so the theater and poetry. But required the man of the theater, the poet Brecht sought to change the world or Marxism as an ideal foundation and as a goal. [...]
Not the poet, not the great seducer has outlived its usefulness, but the tireless teacher who wanted to lead us to the revolutionary path to salvation, or at least pretend this. In one of his great poems, there are the oft-quoted words: 'What are those times when a conversation about trees is almost a crime, because it implies silence about so many horrors?'. But to their own reminders, Brecht rarely cared. It has been noted many times before that, but you have to repeat it yet: He, Brecht, who has sung the Soviet Union and praised and capitalist America ridiculed and attacked, wanted to live in the years of exile for anything in the world in the Soviet Union. He went - happily - in the United States. He also warned against talking about trees. In his work, but he often speaks - again, fortunately - just by trees and flowers, by the grace and kindness, by the charm of life and love. " 1
So, dear comrades of the Socialist Committee: You are only puppets in a Brechtian drama, things did not really exist.

  1. Marcel Reich-Ranicki: texts by and about Bertolt Brecht. Published in 1998 EastWest Records GmbH [ ]

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